There has been a huge five year gap between the release of my last book – Origin of Shadow (a novella in the Light and Shadow Chronicles) and my latest release – The Sins of Silas. There are a number of reasons for this. First of all, I have had some huge life changes in this time: A divorce, two house moves, two mental breakdowns, two new jobs, a world pandemic, a new engagement, a new career path. Oh, and five cats.
It was very hard to focus and be creative with all this upheaval in my life. The passion to write was still there, the stories and characters still shouting in my head, but having the physical and mental capacity to pay heed to them was difficult.
But there was another reason for the delay. As part of my writing development, I began to research the writing craft in further detail – from writing convincing dialogue, to planning story arcs effectively, to wrenching the heart out of your reader emotionally. And the information I picked up was so revolutionary to me, so utterly critical, that I needed to seriously overhaul the way I had been doing things.
I was mid-way through the initial editing stages of The Sins of Silas (the first draft having been completed just before the cataclysmic changes occurred) when I began to undergo all this research. The things I learned along the way were too tantalising to not implement into my works-in-progress. Unfortunately, as I was learning how to plot effectively, I was looking over a novel draft in which I had done everything wrong!
So, I overhauled everything, changing huge plot points, writing in sub-plots, altering the entire flow of the book. When I come to write my next book, I feel confident that I’ll be able to impart the new knowledge from the off, but for poor Silas, the process had to be slow and painstaking.
The research I undertook came in a variety of formats, but was all triggered by one very significant revelation.
My friend (a true fantasy conoisseur) had been raving about Mr Sanderson for a long time. I am a little slow to act on recommendations sometimes, but when I began the first book in the Mistborn trilogy, The Final Empire, it was as if a switch had been thrown inside of me. This was how I wanted to write.
Sanderson has this truly remarkable ability to produce extremely vivid mental images, thoroughly detailed worldbuilding and magic systems and characters I would lop off a limb for (Kelsier, I’m looking at you…). And he miraculously manages to do it all without the reader realising it’s happening. There are no purple passages of boring description, no long and tedious explanations of how things work. Every piece of information is somehow discreetly hidden amongst funny and charming dialogue, and thoroughly riveting action.
I truly don’t know how he manages it. Sorcery. it can only be sorcery.
So, I began to overhaul my writing style by looking at the ample resources offered for free by Brandon Sanderson himself on his blog and Youtube channels. Not only is the man a GOD at writing, but he spends his life educating others in the art and allowing access to all his lectures and wisdom for FREE. What an amazing human being.
After binging as much of his Youtube material as I could, I discovered that this man (who I was coming to idolise) also had a podcast, talking about writing, with a group of other authors. The Writing Excuses podcast was my next port of call – a true treasure trove of knowledge. And the good thing about this podcast was that I could pick and choose the elements I wanted to brush up on, because each episode is only 15 minutes long – because I’m in a hurry, and they’re not that smart 😉
The next discovery that blew my mind was The Story Grid by Shawn Coyne. A book that completely changed the way I did EVERYTHING. And not only a book, but a podcast that detailed how to plan out and execute an effective plot. This methodology is perfect for me and has revolutionised my writing.
I ran all my existing books through the Story Grid methodology to see where I had, and hadn’t, succeeded (that was interesting… if a little concerning…) From there, I rejigged all the chapters and story beats of The Sins of Silas until I had it just as I wanted it.
I also teach a story writing club at the High School where I work and I have started working on the Story grid methodology with them. So it has benefitted me in two areas of my life.
Other books that gave me a great deal of crucial knowledge:
Things have been crazy since then – a divorce, 2 house moves, two mental breakdowns, a new job, an engagement, five cats (!) and all on top of a global pandemic and increasing economic doom…
But, though I haven’t published a new book, I have been working away on The Sins of Silas for all this time. Silas is the first POV character we will see from The Brotherhood of Shadow.
Writing a book from the ‘enemy’ POV has been a completely new experience for me and I have probably enjoyed writing this one the most of all the books in the series. It features a completely new set of characters and all from the point of view of the Brotherhood of Shadow, who have traditionally been the ‘bad guys’ to date.
Not only is the perspective different in this novel, but it takes place in Meraxor and its capital city, Belkeep. Belkeep has significantly different culture, terrain, customs and societal norms to the cities of the Children of Light. I have had immense fun with the world-building and have written this blog post on Meraxor and its citizens.
The main characters of the previous books in the series (Chaos and Soren) have been prestigious, wealthy and incredibly talented soldiers blessed with immortality and with an important role in the ongoing war.
Silas Wilder, however, is nothing like Chaos or Soren. Though he is the son of Brotherhood of Shadow leader Vincent Wilder, he is belittled, ostracized and refused an elixir of eternal youth. Though he remains bitter about this, he focuses his time and attention upon other things, mainly, the pursuit of pleasure. He is wild, reckless, fun-loving and bordering on insanity (he has been extremely fun to write!).
My publishers, Next Chapter Publishing, have just given everything the go-ahead. The editing is complete. The layout designed. And stunning new cover art drawn up. Now, it’s just a matter of time before it can go ahead. So, here is the first glance at the new cover:
I am utterly delighted with the way the original shield (designed by Irina French) is still incorporated into the covers – and will be for every book in the series. For more on the meaning of the shield, read this blog post. Here is the new cover alongside the others in the series:
So stay tuned for more information on the release!
In the meantime, check out the related links below:
As a writer of epic fantasy myself, I am endlessly fascinated by the genre. There is something magical about being able to disappear into a world so removed from real life.
So, here is a little background on this amazing genre.
Fantasy storytelling in general follows a basic formula that has been successful for thousands of years. The epic fantasy tradition began with vocal storytelling, where the orators of the past would enthrall and entertain their listeners with tales of magic and gods. These stories would not only entertain, but would educate the next generation, enabling them in turn to pass the stories to their own children.
These epic fantasy vocal tales, though seemingly far-fetched, explored a real human issue. They tied into the quest to solve a world-affecting problem (in many stories this is a dark lord, an evil wizard, a magical device that’s going to destroy everything, a world-ending/shaking event that must be somehow avoided). And in turn, there would always be a hero who could solve the problem, kill the enemy, and bring peace to the world once more.
Myths and legends may have been the origin of this type of storytelling, but the genre has since branched into many subgenres and categories. A quick Google search brings up the following:
If you want to delve further into the fantasy subgenres, I highly recommend this post with descriptions and recommendations for a huge range of subgenres: https://reedsy.com/discovery/blog/fantasy-subgenres
I have often pondered whether my series, The Light and Shadow Chronicles, falls under the ‘Epic Fantasy’ or ‘High Fantasy’ genre, but what exactly is the difference between the two?
Epic Fantasy
*The focus is on the scale of the conflict (huge, apocalyptic battles, threats to the very existence of all life etc)
*A large cast of characters – often of a variety of races and/or species
*Magic, or other-worldly powers, are a key part of plot/story/character abilities
*Often takes place in medieval times, with swords, armour and medieval-style castles and towns
*Features a good vs evil story (but this is tending more towards shades of grey in modern epic fantasy)
*Relies on many sub-plots to help advance the story. These often merge in cataclysmic, or epic, ways towards the finale of the story.
*May involve power politics, gods among men, wars, the birth and death of nations, and/or the threat of the end of the world
*Epic fantasy deals with cultures and people that are entirely imagined and not drawn on any myth or legends. The author of epic fantasy creates entirely different kinds of myths and legends and prophecies for their world.
High Fantasy
*High fantasy is more about the choices the characters make than the events of the world
*The focus is on the setting itself and the integral worldbuilding NOT the scale of events
*Magic may or may not be involved
*May be focused on the character-building of an event, rather than the event itself – for example, long travelling scenes may help to develop the character rather than advance the storyline
*High fantasy is often inspired by classical mythology, folklore, and fairytales.
What is Sword and Sorcery?
Another sub-genre of fantasy, which my books tend towards, is Sword and Sorcery. This type of fantasy uses a mash-up of all the epic elements of fantasy—magic, supernatural, action, romance, excitement, and escapism.
The atmosphere tends to be darker in this genre. Good and evil still exist, but there is more moral ambiguity and fewer absolutes.
Good examples of Sword and Sorcery Epic Fantasy:
Mistborn – Brandon Sanderson
Stormlight Archive – Brandon Sanderson
Crown of Stones – C.L. Schneider
The Word and The Void – Terry Brooks
The Lord of the Rings – J.R.R. Tolkien
I have been told good things about the following authors, but have yet to read any of their work: Peter V Brett, Robin Hobb, David Eddings, Robert Jordan, Joe Abercrombie, Andrzej Sapkowski, Patrick Rothfuss, Trudi Canavan, Susan Faw, Mark Lawrence, Sarah J Maas
In conclusion, my books contain mystical creatures, heroes of incredible power, large-scale battles and power politics of entirely made-up cultures. Therefore, I market my work as Sword and Sorcery Epic Fantasy.
When my publisher, Next Chapter, contacted me to say a voice actor had been found for the audiobook version of The Phoenix Project, I was apprehensive. After all, how could anybody do justice to the book I had cried and sweated over for 10 years?
But all of that anxiety drifted away as soon as I heard the voice of Sunny Patel. He could not have been more perfect for the role.
So here is an interview with this talented voice actor. I give you Sunny Patel:
Interview with Sunny Patel – Voice Actor for The Phoenix Project Audiobook
What is a day in the life of a voice actor?
It’s still a pretty normal life. The great thing about voice acting is that you are your own boss and I have my own schedule, and I try to be flexible with it. So for example, if I do discipline myself to do voice work between 9-3 everyday, and decide one day I want to meet my friends or play tennis etc that I give it a break and do voice work later in the evening. I don’t take my work too seriously that it takes over my life. Voice acting is meant to be fun and for me it is, so I try to stay relaxed and not ruin my voice by overdoing it. Of course you have to do the things like vocal warm ups and stay hydrated and watch what you eat, but again, I don’t let it suck the fun out of my life and I give myself a bit of a break at times.
What, beyond talent, do you feel one needs to book work and keep working as a voice actor?
Self-belief, persistence and discipline. But I think self belief comes from persistence and discipline, especially for those who aren’t very confident about their abilities. I was sort of like that. It’s important first of all that you find the connections just so you can audition for work. E.g, join ACX, Backstage, Casting Call, voices.com (if you have the money), upwork, or even voice acting facebook groups (where you will occasionally get somebody posting a job).
It’s not getting the jobs that’s important, it’s about getting the chance to audition. Bryan Cranston said in his biography that as an actor the work does not start when you get the part. Your auditions are your job and you should treat it as such. So audition, audition, audition! And don’t worry if you don’t get jobs straightaway. You have to be persistent and keep doing it, and discipline yourself to keep going. My first paid gig took months of auditioning and it’s only now after 5 years of voice acting that I am getting more regular work. My self-belief grew, and I now know I will get paid work. It may not be every week but I know it will come as long as I persist.
What in your life experience was most helpful to you in becoming a voice actor?
Well, I have to be honest, having a deep voice does help a lot. But sometimes having a baritone is not enough. You need skill to be able to voice many characters in an audiobook. To be able to understand what they sound like based on what the author has written about each character is important and it takes skill to execute that. For that you need life experience and to meet people. I have travelled the world, and have had different jobs, and grew up in a multi-cultural place where I heard many languages and people speaking English in different accents.
I was always a people-watcher, so naturally I liked to get to know people. For fun I always mimicked people (I still do), and tried to imitate their body language and their accents. I also used to watch a lot of movies as a kid. When I am voicing characters in audiobook or doing a voice-over commercial, I will just try to sound like a person, whom I know is exactly like the character in the book, or close enough. So travelling and being a people-person has been helpful, but the best part about it was that I wasn’t trying to be a people-person. I just was. Just put your phone down, and go out there and talk to people, or maybe let them talk, and just listen.
Any classes, books or programs you recommend?
In all honesty, I did not read any books about voice acting, but I watched a lot of YouTube videos and I communicate with other voice actors on Facebook. I also have read a lot of articles on it and do listen to other voice actors’ work. So there’s a lot of books that people will recommend, but I choose not to confine myself to the opinions of one or two authors. I like listening to the experiences of a wide variety of seasoned and even amateur voice actors, and it has gotten me far. Social networking has helped but I don’t overdo it. I also try to give my own advice to other struggling voice actors where I can. One thing I would DEFINITELY recommend is taking acting classes. I started doing acting to help with my voice acting, and not only am I better voice actor but I loved my time on the stage, and being an actor is my main goal in life.
How do you handle stress and pressure?
For work stress and pressure, I don’t feel it that much. The voice acting world is a lot friendlier than most professions. Clients can be flexible if you don’t deliver work within a certain amount of time, if you have good reason. So to be honest I have never had much to stress in that department. In terms of dealing with other life stresses, I find sometimes doing my work helps relieve some of the stress and pressure or I just go play tennis, or better yet talk to a friend.
Why did you want a career as a voice over artist?
Voice acting is fun for me, and I was tired of doing work which I found non-creative. So I chose this route. I never thought about being a voice actor. Most people said I had a nice voice, so I thought I would give it a go. I did, and it’s fun. Voice acting for me is creative and storytelling specifically is a tough art. Every voice acting gig you do is you telling a message, and getting people to listen is a tough challenge to master, and I enjoy the challenge.
Is it your only job?
I have another side-hustle. I work in a call centre as market research interviewer, where I now have the luxury of working from home due to Covid lockdowns. Saves me the journey to work, and it also means I can do both my jobs at the same time. Which is incredibly convenient. I also am an actor, so if I get an acting gig, that’s a bonus.
What type of character/genre do you prefer working with?
I have no genre preference. I have done sci-fi, fantasy, spy thrillers, action, memoirs and I am currently working on a book that is an epic fantasy, reminiscent of Lord of the Rings. I prefer to stay open with my genre preferences because I know I am versatile. I would however like to do some children’s stories. As for favoured characters, alpha characters suit me, but I prefer the challenge of being a beta. Or even being a comic sidekick.
How do you feel about doing accents/genders etc?
I was always pretty good with accents, but I have improved in that department. The fact that I have booked work including audiobooks with US, Caribbean, Indian and Middle Eastern, and Scottish has helped. But there is still room for improvement. Genders has been the challenge for me since I have a deep voice. Doing a child’s voice too. I can’t remove the baritone voice for their parts, but there are some tricks that I have seen from my youtube videos or just listening intently to women (and even mimicking them), that has helped me to alter my voice when doing female characters, and I have improved drastically.
Have you ever been asked to voice a character you have truly despised?
Not yet. But that time will come.
What about one you’ve completely fallen in love with?
I wouldn’t say fallen in love with. But I have felt a deep connection to some. My favourite was Mehran in True Lover’s Knot. A very realistic portrayal of an Iranian man, who fled to America after the revolution in his teens, whose hardships and losses were difficult to fathom. But he still remained a kind and caring person after all that. There are people who I have met like that and have read about who really leave you dumbstruck, considering the vast majority people who face such trials end up embittered and angry. They really remind you of how powerfully complex the human spirit is. The body can die, but the ability to be so forgiving and kind despite the incredible cruelty they face is just beyond impossibility. I don’t get inspired easily, but Mehran’s compassion really left me thinking. Mehran’s character was so well written and his adversities and how he overcame them was utterly believable. And I have used his ethos and principles in my own everyday life.
Where do you see your career heading in the next five years?
I don’t focus on a specific vision on the future of my career. Whether that’s five years, or ten or twenty years. Like I wouldn’t say I see my self doing voice overs in a Hollywood Studio, replacing Morgan Freeman as the voice of “Through the Wormhole”, or playing a Pixar character. All I know is that in five years, I will be in a much better position than I am now. If I end up in Hollywood then awesome, if I don’t, then I won’t be disappointed because considering the trajectory of my career in the last 5 years from where I started, I am doing tremendously well, and I can only see myself getting better in the next five years, and most importantly I will be happy and really enjoying my work. And hopefully other people will be enjoying listening to it. I will only keep getting better and one day, I will get a job that I never even imagined I would get. It’s going to happen, and I can feel it. All I have to do is be persistent.
What would be your ideal booking?
Narrating a wildlife doc for the BBC.
If you could narrate any famous classic, which would it be?
Maybe Lord of the Rings I guess. It’s not just an action-packed fantasy, there’s a lot of things going in there that takes you on a journey through the human emotional spectrum. A story of friendship, love, struggle, sacrifice, determination, betrayal, the power struggle between good and evil. Depending on how you look at it, it’s an allegory of tiny little allegories that maybe we can draw some value from to change modern life for the better. It’s a great story, and I would love to give it a go. Plus it has a lot of incredible diverse characters, so I imagine I would have a lot of fun doing it.
Can you share with us what you are currently working on?
I am currently working on a book called “Legends of Agenor”. Some of the characters in there really remind me of Lord of the Rings, but the storyline is of course different, and it’s brilliant. Every character has depth and enough detail for you to feel them around you. The great thing about it is that, unlike Lord of the Rings, this epic fantasy crosses over to the Eastern world, so there are Indian, Persian / Middle Eastern characters, even Caribbean pirates. A truly diverse novel. Which is refreshing as epic fantasies tend to be western-centric.
Interested in booking Sunny Patel for voice over or acting work? You can find out more about his work, and contact him on his website HERE.
NaNoWriMo 2020 is officially underway! I haven’t had a fantastic start as I was busy yesterday and unable to write much, but I had a positive first day so I’m 2653 words in. I’m very pleased with the opening chapter which was a lot of fun to write (a demon hunter makes for some fun scenes!)
A little more information about the project:
The novel is called the Ballad of Benedict, which is another story in The Light and Shadow Chronicles. A Chronicle of Chaos featured two protagonists (Chaos and Anathema) and told the story from both points of view. This novel is the same – featuring both Benedict Thialdor (A Children of Light diplomat) and Favian (An orphaned demon hunter).
Benedict’s story is already 45,000 words in but I’ve been on a break from it for a while to work on The Sins of Silas. So my NaNoWriMo project is to write Favian’s side of the story. The Sins of Silas has been getting me down lately, so being able to create something new, and just write to my heart’s content has been like bliss to me.
Whether or not I’ll hit the 50,000 words mark (probably not), I’m having a great time and it’s very good for my soul.
For the past year, I have been slogging away at The Sins of Silas, taking feedback from my completely amazing beta readers and occasionally just wanting to burn the damn thing. I think it has potential, but it is causing me so many issues! Since I began writing it, I have completed courses, and read plenty of books on writing craft. So my style has matured and I learned many things that I just wasn’t doing before. So this book needs a HUGE amount of editing and rewriting. After hacking away at the thing for a year, I am still only on Chapter 13… of 34…
Though I love the story and the characters (especially Silas – he’s a lot of fun to write) I am suffering some major burnout on the book now. It’s time I put it aside and focused on something else, just for a short time, to clear my head, and my nerves.
Which brings me nicely to…
For the month of November, I shall be casting aside The Sins of Silas, and continuing with another work-in-progress, The Ballad of Benedict. This novel has two point of view characters and one of them is halfway completed. The other, I haven’t even begun yet. That storyline shall be my NaNoWriMo project.
For those of you who don’t know what NaNoWriMo is, it stands for National Novel Writing Month. Writers pledge to write a 50,000 book in just one month.
Terrifying. Insurmountable, some might say.
They’re probably right.
But I managed a 25,000 word camp NaNo project a few years ago (which became my novella Genesis of Light) and I have a lot more free time now between teaching my online students. So I’m just going for it.
A Little About My NaNoWriMo Project
I shall be writing the secondary plot arc of a character named Favian – a demon hunter with a peculiar weapon, and an even more peculiar mentor…
Book: The Ballad of Benedict – a novel in the Light and Shadow Chronicles. Temporary Blurb: In the forests of Thos, Benedict Thialdor – an ambassador with the Children of Light – must uncover myths of old to reclaim a legendary weapon believed to hold the key to defeating Hell’s most dangerous demons.
For the other writers out there, are you doing NaNoWriMo this year? If so, I’d love to hear from you. Support from other authors is the way we all get through this!
Here are some helpful resources for NaNoWriMo and getting that novel finished!
I recently read a great piece of advice from one of my favourite authors, Brandon Sanderson, and it has completely revolutionized the way I look at my work. He said that you shouldn’t aim to be an author who wrote a great book, you should aim to be a great author.
I took this to mean that you should nurture yourself as a writer, put time and effort into your craft and your personal development, as you would undergo training and professional development in any career. Because of this, I am now putting a lot of time and effort into improving my craft. I am taking courses on worldbuilding, character development and writing dialogue, as well as closely studying some of the greatest authors I know (Sanderson’s courses and advice being the main source of knowledge!). And I’m loving it! I’m already changing the way I write and altering my perspective on building a series.
So, I want to know, which authors have inspired or motivated you? Who has given good advice or tips to help you develop your craft?
In a world ravaged by war, the paths of two warriors are about to cross with world-shattering consequences.
Chaos is a soldier of The Children of the Light, and fights in the name of destiny, honor and glory. Arrogant and headstrong, he believes he is the strongest warrior in the land, until a fateful coincidence puts him at the mercy of the demon Anathema.
The two strike up an intense rivalry, but their obsession to destroy one another only leads them closer together. When the forces of light and dark collide, where will their loyalties lie?
Recently I’ve been working really hard on building and developing the world in The Light and Shadow Chronicles. Each of the novels to date has been set in a different location in the world. A Chronicle of Chaos was set mostly in Alcherys, the nation of the Children of Light, and The Shield of Soren took place in the country of Parador. Now, I am working on two different stories, both set in completely new locations. The Ballad of Benedict takes place in the distant, forested country of Thos, and The Sins of Silas will feature the wild jungles of Meraxor.
The original world map
So, I decided to expand upon each country and pad them out
with further details. This post will explore Meraxor and its capital city,
Belkeep.
MERAXOR – Home of the Brotherhood of shadow
Some context for or those who have read any of the books in the Light and Shadow Chronicles series:
Meraxor is the homeland of The Brotherhood of Shadow. The modern city was developed by Vincent Wilder and the Bavelize around 130 years before the bulk of the series takes place. However, there was civilisation in Meraxor many thousands of years prior to this (and remains of this ancient culture can be found throughout the nation.)
Meraxor
Meraxan FAST FACTS:
Width at widest point: 300miles
Size in area: 27,300 miles² (Roughly the size of Ireland)
Population: 996,574
Population spread:
Approx. 180,000 people live in the largest three cities (18% of the
population)
Approx. 37,500 people live in the smaller three cities (4% of the
population)
Approx. 280,000 people live in 123 towns (28% of the population)
Approx. 498,000 people live in 2660 villages (50% of the population)
Approx. 400 people live as hermits or wanderers, away from civilisation
(0.04% of the population)
Social Organisation:
Within Vincent’s closest circles, men are generally viewed as superior to women. Women are viewed as mothers, partners and carers for the men of the Brotherhood of Shadow. Due to this, misogyny and sexist prejudice are rife. Prostitution is common and Vincent himself has numerous concubines, with whom he fathers many children.
In the slums of the cities, men and women are considered equal – all are poor, destitute and lacking hope, and gender plays no part in this. Again, prostitution is common amongst both sexes, and people do as they can to survive. Children are cared for by both, or either, parent dependent on the family’s circumstances. Most common people live simple lives, working as farmers, fruit pickers, miners and shopkeepers. There is a huge number of tiny shops, stalls and tradesmen working out of the slums and the most successful and talented of these progress into the central market square where trade and transportation are accessible.
People who live in Belkeep or the other large cities generally spend their entire lives within their birth city. Travel is possible via the railways and rivers, but it is expensive, especially to travel on passenger transports. People can buy passage on trading boats and rail carts but the journey times are long and uncomfortable. Travel on foot is almost unheard of, as the dense jungles around the cities are so dangerous and inaccessible.
Terrain and climate:
Meraxor is a large country which sits upon the equator, meaning the majority of the climate is tropical, with smaller sub-tropical areas. It is prone to extreme weather conditions – tornados, earthquakes etc. 69% of the land is arable, but 31% is forested and inaccessible/undeveloped.
Meraxor – climate map
Meraxor is surrounded on three sides by ocean. The Perion Sea lies to the east, and the Bernian Sea to the west.
Meraxor is one of the most stunningly beautiful countries on the planet, with a huge diversity of wildlife. Central Meraxor is dominated by the expansive Meraxan rainforest – the largest jungle on the planet, parts of which are entirely inaccessible for humans. A large river and stream network feeds the jungles and connects the oceans and the mountains. The Meraxan people use the water networks for transport, trade, military expeditions and as a food source. Meraxor is one of the most stunningly beautiful countries on the planet, with a huge diversity of wildlife and flora in the expansive Meraxan rainforest.
‘The landscape was very different to the world in which he had grown up. It was spectacular. Vast, sweeping vistas met his gaze. Enormous, dramatic mountains sloped in from the east and west, creating a gorge in the centre, where a turbulent river crashed over rocks and tree roots, cascading in gargantuan waterfalls at intervals along its length.
The mountains and valleys were covered in lush, dense forests as far as the eye could see. The trees that covered the valley stood taller than any of the buildings back in Pabell. Rich, vibrant colours sprang forth from the canopy in the form of luminous foliage or the occasional tropical bird. Far beneath the towering trees, the forest floor was dark and overgrown with vines and mosses, but the understory was teeming with life and plants of such astounding beauty that Vincent was taken aback. Clear, bell-like bird calls or grating, screeching cries rang out through the air.
In the centre of the exotic jungle was a large structure made of wood and stone. There were platforms stretching between the taller trees to allow people to pass over the forest, rather than fighting their way through the thick undergrowth. Beneath the platforms, Vincent could just make out old, crumbling stone walls and domes.’
To the north of Meraxor is Terralia and the enormous Jardian mountain range which borders it.
There is also the Khardesian mountain range in the west of the country, and the Stenmirren range at the southern coast.
There are two huge lakes, Freyval and Teyan.
There is an underground cave network in the north west of the country, though it is largely unexplored.
Coinage:
Meraxor uses Embers – the same coins as Alcherys and Parador use.
1 Ember (a circular golden coin bearing a flame symbol – approximately
$3)
10 Sparks to an Ember (Sparks are tiny golden coins, rectangular in
shape and made of copper – approximately 30cents)
Economy:
Money is scarce in Meraxor and people have to work for everything. If they have no job, they get nothing at all. Alternatively, if they are skilled or very lucky they can become incredibly rich.
Meraxor is a great provider of multiple resources: Medicines from the rainforest, fruit, animal hides, food, cloth and other materials for clothing and crafting.
Meraxor has excellent
transportation and trade routes, and therefore they trade with every other
nation except Thos.
Political Structure:
Meraxor operates under a dictatorship. Vincent Wilder wields absolute power and his actions are not restricted by a constitution or laws. Vincent’s senior advisors and officers in the Brotherhood of Shadow advise him, but he can choose to acknowledge or ignore their recommendations. Appointed officers take care of administrative matters and the day to day running of the country, but all decision-making goes through Vincent personally.
Cities:
BELKEEP: Capital City of Meraxor. Belkeep is the largest city on the planet, covering 780 square miles and with a population of 100,000. 60% of the city is covered by sprawling, heavily crowded slums, where thousands of people live in poor conditions.
There is a central hub to the city, where the markets, guild halls, shops, courtyards and nobles houses are located. This is also the centre of the transport networks.
A huge wall surrounds Belkeep and branches off around the country, offering both transportation via aqueducts and railways, and also a strong defensive system.
The richer people of the city are those that inhabit the forts that are stationed along the wall. Vincent Wilder’s family often defend these fortresses (Silas Wilder of the novel The Sins of Silas is one of these). Vincent himself, his highest ranking advisors, and his concubines live in the palace of Belkeep, which sits on top of the city itself. This is known as the ‘Diamond Tier’.
Meraxor population spread
Tisgudor: Population
40,000
Khasimara: Population 40,000
Terakeep: Population 20,000
Vermidor: Population 10,000
Yunasdor: Population 7,500
Boldor: Population 6000
Phirkeep: Population 4000
Panekmara: Population 2000
Costumes:
Traditional dress in Meraxor is lightweight and flowing to allow the wearer to handle the heat. Most clothes are lightweight, cotton, and sporting bright colours, elaborate patterns, jewels and beads.
Weaponry:
Poison-enhanced weaponry is common in the Meraxan elite armies. Using poison from the creatures in the rainforests, they utilise poison darts, and poison-tipped swords and axes. Older weapons, from before the Second Age, used bone ridged weapons and the jagged teeth of wild animals to give their armies more power.
The iron mines of the Jardian Mountains, including the enormous
Ironmaw, are under the control of the Brotherhood, since the occupation of
Terralia. Meraxor, therefore, has total control over all production and trading
of iron armour and weapons. The majority of this iron is sold on to other
nations (including, ironically, their main enemies!), but a percentage is kept
within Meraxor.
The higher ranking members of the Brotherhood of Shadow have access to Terralian steel, whereas the foot soldier army have subpar, mass-produced weapons made of inferior steel or sometimes even wood.
The people:
Ethnically, Meraxans are typically dark-haired and dark-eyed. They often have almond shaped eyes and creamy skin (similar to real-world Far Eastern characteristics). 2% of the population are born with blonde or red hair, and light-coloured eyes are even rarer.
Culturally, Meraxans are industrious and want to work to drag themselves out of the poverty that 90% of them suffer through. They will strive to work hard, and take their losses or failures hard. Stalls and temporary shops pop up often in the slums due to this desire to succeed, but resources and money are so scarce in the slums that they often fail and the owners slip into depression, poverty, drug use and alcoholism.
Notable characters:
All Brotherhood of Shadow, Vincent Wilder, Silas Wilder, Drake Wilder, Requiem Wilder, Mercy Wilder, Odin Wilder, Serena Kariss.
Religion:
The Meraxan people are superstitious and religious and most of the
country worship at the Cult of the Bavelize. The citizens are wholly obedient
to the Bavelize. They believe that everything in the universe is the creation
of the Bavelize and there is no point questioning anything as everything was
designed to fit a purpose that only the Bavelize knows.
There is an 80% religious following of the Bavelize, with the remaining 20% identifying as ‘undecided’ – a risky opinion to voice, but one which is increasingly more common among young people in the slums.
Believers are under no obligation or duty to convert or convince others in their belief. Therefore, they have no disdain for non-believers, merely a smug assurance that they are more knowledgeable.
The smoky deity has temples in its favour spread across the nation, especially in the city of Belkeep. There are no official services or gatherings at the temples, and rituals or ceremonies are a private affair. People may choose to serve the Bavelize as they see fit, providing they follow its every instruction when, and if, they are called upon. Some families barely acknowledge their god in their day to day lives, others pray 5-6 times a day and live their lives in the service of their ‘creator’. Followers of this religion are concentrated mainly in Meraxor, with a mere 0.3% of believers scattered across the rest of the world. It is the belief of all Bavelize-worshippers that Meraxor, and particularly Belkeep, are the chosen grounds of the Bavelize and as such many make a pilgrimage to the great city and remain there to live in the slums.
The Cult of the Bavelize is mostly based around fear of the smoke creature. Its appearances to the public are incredibly rare, and only very few people have ever been graced by its true appearance. Vincent Wilder is regularly in communication with the Bavelize and its wishes are dictated to him to carry out in his nation. In later years it is unknown how much of Vincent’s instruction comes from himself or the Bavelize. There are no commandments or instructions to live by, aside from the direct communications received from Vincent and occasional other people. As with the frequency of worship, people serve as they see fit. Early messages from the Bavelize indicated that the people should follow their own interests, beliefs and motivations with the intention of developing your soul. The meaning of life to those in the Cult of the Bavelize is to become the best human they can be to honour their god.
In the jungle, there is also an ancient amphitheatre where the original Meraxans used to summon their god. This ancient summoning location features carvings of creatures unknown to humanity. The central summoning altar is carved with a deep spiral, which is the only known symbol representing the Bavelize. It fell out of common use in the early years of the modern development of Meraxor and has since been confined to history.
There are no specific rituals to commemorate birth, death or marriage. Many people choose to take their new child to a temple immediately after birth, to have the Bavelize ‘bless’ the baby. The bodies of the deceased are also sometimes lain within temples for a day following their death. This is usually only applied to those of the nobility and the Brotherhood ranks. The dead of the slums are the responsibility of the slum citizens and as such they store bodies in cold cellars and then burn them all in monthly funeral pyres. Some traditions around these death ceremonies have appeared in the slums in recent years, with people beginning to recite poetry and sing songs to honour their dead.
Marriage exists in the Brotherhood of Shadow, but may only be permitted by Vincent himself. The lovers must approach him, state their reasons for the union and how it will benefit them, the nation, the state and most importantly, the Bavelize. If they are unable to give adequate reasons for their marriage, it will be declined. If accepted, Vincent assigns a senior member of the Brotherhood to complete a short ceremony within the central temple inside the Palace of Belkeep (Vincent’s private summoning room for the Bavelize).
Marriages also occur in the slums, but there is no official service, record or legal binding contract. Two people state their intention to become joined to one another, their friends and family gather and a raucous celebration will take place in the numerous bars, inns and markets of the slums. Due to the non-legal nature of marriages, the average length of a union is around 5 years and people may ‘marry’ as many times as they wish.
Architecture:
Meraxans go all-out with elaborate designs and architecture.
Vincent likes his chosen buildings to be the best anywhere on the planet, and
those he cares little for are left to rot and crumble. It is the responsibility
of all in the slum to build new shacks, maintain sanitation and trash disposal.
Vincent and the Brotherhood have no part in the upkeep or development of the
slums.
Belkeep palace: The centrepiece of Belkeep is the grand palace, which was stunningly crafted with years upon years of slave labour. Everything is designed to impress. The largest palace in the world, it is topped with handcrafted golden leaves and surrounded by impenetrable stone walls. The Palace of Belkeep has iron bars that run under the flooring like radiators – they are heated with steam and warm the entire palace. Gold, diamonds, and statues of marble and pearl are common inside the palace. 99% of the wealth within Belkeep is located within the palace building and its grounds.
Great Wall: The Great Wall of Belkeep is a stunning architectural marvel. It surrounds the city, stretching in a wide ring nearly 250 miles long. The wall is 20metres high around the city itself and nearly 10 metres wide. Some parts of the wall hold aqueducts and rail tracks to provide safe and easy trade and travel in and around the city. The wall then branches off in five directions to snake across the nation of Meraxor for a further 220miles.
Amphitheatre. Deep in the jungles, and hidden from civilisation by foliage, vines, enormous trees and sweeping hills, is the ancient summoning temple of the Bavelize. It is believed to have been built over three thouand years ago by the people of the first age, and used the blood of a human sacrifice to call upon their deity.
Roads
The cities are paved with cheap, sturdy and resilient asphalt using gravel and stone from the mines and quarries. Carts, horses and travel by foot are common within the cities. Outside of the city there are few roads. Northern Meraxor, and especially the semi-desert plains of the Holy Lands have some dirt and stone tracks. Southern Meraxor and the arable farmlands near to the South coast have tracks and some small roads to aid the transportation of produce and crops.
However, the bulk of the country is covered by dense
rainforest which is impossible to keep cleared and safe for roads. Horses and
carts are rendered useless in the jungles and travel is restricted to foot or
river boats.
The rivers are offer an extensive travel system throughout Meraxor, especially those inaccessible forested areas. The forests are fed by a huge network of rivers, streams and lakes. The Meraxans developed narrow canoe-like boats to negotiate these streams and to be able to transport goods across the nation without having to go around the Meraxan rainforest.
Coupled with the railways, the Meraxans developed an ingenious transport system involving amphibious rail boats which can enter and exit the rivers via rail. Traders can load the boats on land or on water and transportation is fast, reliable and accessible.
When the rails and the rivers meet the city of Belkeep, there are huge pulley systems that allow the carts to be hoisted up the walls and onto the aqueducts which run around the perimeter of the city. This allows the goods to be taken to the very centre of the markets, and also provides an excellent mode of travel around the city. There are trade boats and passenger boats running often.
Water – To provide water for the largest city on the planet was no easy feat, but luckily Belkeep had been built at the intersection of two great rivers, beside the huge lake Teyan and within 100 miles of two different oceans – The Perion and the Bernian. The aqueduct and river systems bring fresh water to the city and the wells and pumps are kept fresh by this flow of water.
The people in the slums use wells, buckets and hand pumps to retrieve the water they need. There are large steam-powered pumps that supply water to the palace.
Sewage
There is an elaborate sewage removal system in the palace of Belkeep. Large pipes and steam powered pumps flush the waste out to the rivers in the forests. The slums have no sewage system, so people go to the edge of the city and dig trenches. Some parts of the slums have very little sanitation, and therefore disease and infection are rife.
Food
Meraxan cuisine offers some of the most delectable treats anywhere on the planet. The food is extravagant, spicy, and aromatic. Even the poor people of the slums can have access to delicious and nutritious foods for a low price (though many struggle to afford even such low cost meals). The people eat a lot of meat and fish which they have to hunt themselves in the lakes, rivers and at the edges of the forests. Vegetables, wheat and barley are grown in the arable areas and transported to the cities, but these foods are generally more expensive than the meat and fish the forests provide.
Juicy, tasty, colourful fruits are common in Meraxan cuisine, as well as unique herbs and spices – all of which grow in the rainforests. Meraxan food is difficult to cook, however, and some of the more interesting and elaborate dishes must be cooked by experts, due to the possibility of mixing tasty ingredients with poisonous elements.
Thank you for reading all about Meraxor and the home of the Brotherhood of Shadow. Meraxor will be the setting for the upcoming novel, The Sins of Silas.
Next on my list of worldbuilding locations will be Alcherys – home of the Children of Light.
Origin of Shadow – Find out where the Brotherhood began
As many of you are aware, I released a novella last year called Genesis of Light. It told the story of the beginning of the Children of Light, and gave the start of Callista’s story in the war.
Well, now I am preparing to release the second half of that story.
Origin of Shadow covers the same time period as Genesis of Light, but from the perspective of Vincent Wilder. Vincent is the leader of the Brotherood of Shadow and this novella tells his beginnings in the seedy underworld of crime.
Creativia (my publisher) has accepted the manuscript and it is now going through final editing, with a view to being released later this year.
I can’t reveal the cover design just yet, as it is still being finalised. However, here is a sneak peek at some of the first art draft (credit again to Irina French).
A blurb and extract for Origin of Shadow will be coming soon. Stay tuned!
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